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How a Klum House kit is made
Back in the olden days (circa 2016), Klum House began as a small sewing school in the basement of Ellie’s home. Students came to Klum House workshops to learn how to sew—and make bags, of course! In order to maximize time in class, Ellie would cut students’ fabric and leather ahead of time, gathering up any other hardware or tools that might be needed, so they could immediately jump right into the fun part—sewing! We didn’t know it at the time, but in doing so, she was prototyping what would become a cornerstone of Klum House’s future offerings:
Fast forward a few years, and we’re still cutting and prepping bag making materials, but now we package them up and send them to makers around the world. In order to scale in this way, we’ve had to outsource our fabric and leather cutting to local manufacturers, who can process a much higher volume of materials quickly, while ensuring precision and consistency. But much of our production still takes place in-house, where our team counts every rivet by hand, individually packs hardware into little baggies, rolls leather straps, pulls the correct pieces of pre-cut fabric, and packs it all into a maker kit tube, before it gets delivered to your doorstep! This is the story of how a maker kit comes to life…
1. Fabric is cut with an industrial cutting machine
When a pattern is finalized and we are absolutely certain that the measurements are correct, we send those measurements to a local fabric cutter, who programs their industrial fabric cutting machine to these specifications. In the video below, you can see a worker at Spooltown, a women-owned sewing factory, cutting spring green waxed canvas for our Slabtown full maker kits! Spooltown is even able to pre-punch rivet holes and pre-snip notches into the fabric. We love that we are able to support local small-batch manufacturing here in Portland this way.
Cut fabric is then delivered to Klum House, where we do a quality-control check, making sure that the measurements are accurate and the fabric itself is clean, without any strange markings or uneven wax. In this video, Ellie is sorting and organizing cut pieces of waxed canvas in the studio.
To streamline our fulfillment process, we typically pre-roll a bunch of fabric in our preset color ways and store the rolls in labeled bins for easy-access. All of the pre-cut fabric needed to make one bag is carefully rolled together and secured with a rubber band, along with an instructions booklet and a scrap of waxed canvas, which helps protect the main fabric from getting market by the rubber band and gives makers a bit of scrap to practice sewing with. When kit orders with custom colors come in, we pull and roll fabric this way on demand to make sure makers get exactly what they’d like!
To cut all of the leather pieces needed to make our bags—tote straps, handles, backpack straps, reinforcement tabs, leather washers, zipper pulls—we first create leather dies, which are like stencils made of steel. These dies allow a large quantity of pieces to be cut very precisely, with rounded or straight ends and all of the correct-sized holes exactly where they need to be.
We then work with a local saddle maker named LP, who uses these dies in conjunction with his hydraulic press (also called a “clicker press”) to cut our leather pieces. We use as much of the hide as possible. To minimize waste, we use offcuts to make smaller pieces, like leather washers and zipper pulls, or we sell them in our online shop as leather scrap grab bags!
After LP cuts the leather, it is delivered to Klum House where, much the like the fabric, it goes through a quality control check. Because leather is an organic material, it’s normal for it to have some slight inconsistencies in color and texture. We are big believers in embracing those imperfections (and minimizing waste!). That said, if there are any straps that are particularly marked or discolored, we set those aside and use them for sample making, teaching, or for KH staff and friends who don’t mind!
In this video, you can see Heidi bundling up all of the chestnut brown leather pieces needed to make the Slabtown Backpack. (Bundling the leather this way makes it easier to fit in the tube.)
6. Hardware is counted by hand and put into baggies
Every one of our bags requires a different set of hardware. Here you can see Heidi gathering up all of the hardware necessary to make one Slabtown Backpack and putting it into a little bag. She carefully counts out the rivets (making sure to include a few extra in case of mistakes!), Line 24 snaps, buckles, zippers, and leather zipper pulls and puts them all into one neat little package.
Because our hardware comes in three different colors (brass, antique brass, and black) and our leather comes in three different colors (tan, brown, and black), there are nine different combinations of leather and hardware (!!!) that get packed together, stored, and labeled, so we can easily grab the correct one when orders come through.
Our maker kit tubes come for a Portland manufacturer called Pacific Paper Tube. Here you can see a palette of tubes being loaded into the back of Ellie’s pickup truck to be brought to the studio!
When orders come in, we carefully pull the correct fabric, leather, and hardware colors and pack them together into a tube! Essentially, a finished maker kit is a bundle of materials that is itself made up of several smaller bundles of materials. All of the previous sorting, packing, and organizing comes in really handy at this point. It makes it much easier to pull exactly what’s needed on the fly.
Finally, kits are packed into these triangular USPS priority mailing boxes, picked up by our pal the postman, and begin their journey to your doorstep. As you can see, before you begin making, your materials have already underdone quite the production process! It takes a lot of labor and the help of several different local manufacturers to get all of the ingredients to a state where they are ready for you to take over and turn them into a beautiful finished bag.
An important part of what we do here at Klum House is help pull back the curtain and reveal just how much labor and skill goes into creating a finished, handcrafted good. Behind every finished product is a long chain of production, often involving many factories and pairs of hands. It’s humbling and empowering to understand the full creation story of the objects we use in our everyday lives. And so cool to think about how your own role as a bag maker is intricately tied to a much larger, collaborative process of creation!